Throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis mainly using a modified EMS Synthi A, a Buchla System 200 and The Buchla Easel K « The Electric Music Box » + the innovative Pulsar 23 from SOMA.Sculpting sounds is like composing for a tape-recorder and once done the result is fixed unless I can retranscribe the importance of the compositional gesture, to favor the live touch without repetitions, by impulse, in a very corporeal way... Transporting everything in an elastic space-time where harmonies and varied colors would join-overlap carrying the listener as if I had inflated a balloon and let it fly away suddenly… Tension-relaxation, destabilizing and reassuring at the same time, kind of immersed in a dream where nothing would be where it is expected. It is highly exciting to think that when I create some music I am relying on voltage control - or uncontrolled - and thus I want to recreate the danger of electrical power… BEWARE Electronic hazard !!! radia.fm/2020/11/show-818-what-do-invisible-sounds-fancy-by-philippe-petit-for-radio-panik/ philippepetitamusicaltravel-agent.bandcamp.com/album/philippe-petit-the-swordfish-the-pearl
