Throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis mainly using a modified EMS Synthi A, a Buchla System 200 and a few other innovative instruments.Sculpting sounds is like composing for a tape-recorder and once done the result is fixed unless I can retranscribe the importance of the compositional gesture, to favor the live touch without repetitions, by impulse, in a very corporeal way... Transporting everything in an elastic space-time where harmonies and varied colors would join-overlap carrying the listener as if I had inflated a balloon and let it fly away suddenly…
