I am interested in soundtracks and like to be introduced as a "musical travel agent".

Since the early 2000s I have been performing the world, playing festivals all over Europe, Canada, USA, Mexico, Australia & Asia... Feeling lucky to release on several international labels such as Aagoo, Opa-Loka, Southern UK, Monotype, Alrealon Musique, Beta Lactam Ring, Sub Rosa, HomeNormal, Important, HelloSquare, Public Eyesore, Utech, Staubgold, etc... (see the section "Friends/Collaborators" above in the Menu bar for a detailed list + links).

I study Electroacoustic music at the CNRR Conservatory of Marseille where I am specialising in multi-channelled diffusion (Acousmatic spatialisation) and Modular Synthesis. Using Moog Model 12, Minimoog Model D, ARP 2600, Buchla Easel "The Electric Music Box", RSF Expander - Kobol, Synthi A to create my "Electronic abstractions" and Plastic sound-objects. I also play various instruments or devices, though most notably an Electric Psalterion + Hackbrett Cymbalum + Caterpillar Drum Guitars built by Yuri Landman (see right picture above) + Piano + turntables as well as Theremin + Soline and Roland Fantom G6 synths and computer to build up electronic layers, process acoustic and field recordings. On top of those, I like to move various glasses, pieces of wood, stones, or percussive objects, as well as taking advantage of vinyl material to fondle released sounds. 

Relying on electricity/amplification to produce, manipulate, work on sound-material, but trying my best to explore various genres and make sure that each of my albums differs from the previous one, trying to avoid routine and surprise my listeners.

A journalist for various magazines/radios since 1983, as well as a musical activist, I have celebrated 30 years of activism, sharing my musical passions... 
I am aso the man behind the cult labels Pandemonium Rdz. and BiP_HOp.

http://www.bip-hop.com

http://www.pandemoniumrecords.com

Not musically trained/educated I lie outside the Classical genre but my scores incorporate traditional classical components in a predominantly unconventional manner which recently allowed me to being asked by Iancu Dumitrescu & Ana Maria Avram to join forces as a soloist in their Hyperion Ensemble + being invited by Jean-Paul Dessy (Musiques Nouvelles ensemble) and Raoul Lay (Ensemble Télémaque) to become in charge of electronics/turntables in their ambitious E. C. O. (European Chamber Orchestra) formation comprising of 33 soloists...
http://ecosound.eu/en/composers/

Fortunate enough to work with what people call a dream-team of collaborators: joining Lydia Lunch, Murcof, The European Contemporary Orchestra (E.C.O.), Mark Cunningham (MARS), Cindytalk, Orkest De Ereprijs,  Audrey Chen, Mia Zabelka, Iancu Dumitrescu's Hyperion Ensemble, Stephen O'Malley, Yannick Barman, PAS or Faust onstage and-or in studio. 

Besides I did some recordings with: Eugene Robinson (Oxbow), Edward Ka-Spel (Legendary Pink Dots), Simon Fisher Turner, Kumo, Scott McCloud (Girls Against Boys), Cosey Fanni Tutti (Throbbing Gristle), My Brightest Diamond, Sybarite, Foetus, Pantaleimon, Graham Lewis (Wire), Barry Adamson, Andy Diagram, Scanner, Machinefabriek, Mira Calix, Kammerflimmer Kollektief, Justin K. Broadrick, James Johnston (Gallon Drunk/Bad Seeds/Faust), ASVA, Jarboe, Jad Fair, Martin Dupont and many more...

I am also the founder (w/ Hervé Vincenti) of the international collective Strings Of Consciousness
http://www.stringsofconsciousness.info